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For second and third year Electrical Engineering courses in Electronics, Circuit Analysis, and Circuit Simulation. Implementing the industry-standard software, this book can be used as a textbook for teaching the simulation of electronics and electrical circuits through SPICE, PSpice A_D, Windows-based PSpice Schematics, or Orcad Capture. Covering topics in basic circuits and electronics, it could also be used as a supplement to books on basic circuits and/or electronics.

  • Sales Rank: #1624920 in Books
  • Published on: 2003-09-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.16" h x .74" w x 6.98" l, 1.65 pounds
  • Binding: Paperback
  • 480 pages

From the Back Cover

This widely used book uses a top-down approach to introduce readers to the SPICE simulator. It begins by describing techniques for simulating circuits, then presents the various SPICE and OrCAD commands and their applications to electrical and electronic circuits. Lavishly illustrated, this new edition includes even more hands-on exercises, suggestions, sample problems, and circuit models of actual devices. It is an ideal supplement for courses in electric or electronic circuitry and is also a solid professional reference.

About the Author

Muhammad H. Rashid received the B.Sc. degree in electrical engineering from the Bangladesh University of Engineering and Technology and the M.Sc. and Ph.D. degrees from the University of Birmingham, UK.

Currently, he is a Professor of electrical engineering with the University of Florida and the Director of the OF/UWF Joint Program in Electrical and Computer Engineering. Previously, he was a Professor of electrical engineering and the Chair of the Engineering Department at Indiana University-Purdue University at Fort Wayne. In addition, he was a Visiting Assistant Professor of electrical engineering at the University of Connecticut, Associate Professor of electrical engineering at Concordia University (Montreal, Canada), Professor of electrical engineering at Purdue University, Calumet, and Visiting Professor of electrical engineering at King Fahd University of Petroleum and Minerals, Saudi Arabia. He has also been employed as a design and development engineer with Brush Electrical Machines Ltd. (UK), as a Research Engineer with Lucas Group Research Centre (UK), and as a Lecturer and Head of Control Engineering Department at the Higher Institute of Electronics (Malta). He is actively involved in teaching, researching, and lecturing in power electronics. He has published 14 books and more than 100 technical papers. His books have been adopted as textbooks all over the world. His book Power Electronics has been translated into Spanish, Portuguese, Indonesian, Korean and Persian. His book Microelectronics has been translated into Spanish in Mexico and Spain. He has had many invitations from foreign governments and agencies to be a keynote lecturer and consultant, from foreign universities to serve as an external Ph.D. examiner, and from funding agencies to serve as a research proposal reviewer. His contributions in education have been recognized by foreign governments and agencies. He has previously lectured and consulted for NATO for Turkey in 1994, UNDP for Bangladesh in 1989 and 1994, Saudi Arabia in 1993, Pakistan in 1993, Malaysia in 1995 and 2002, and Bangkok in 2002, and has been invited by foreign universities in Australia, Canada, Hong Kong, India, Malaysia, Singapore to serve as an external examiner for undergraduate, master's and Ph.D. degree examinations, by funding agencies in Australia, Canada, United States, and Hong Kong to review research proposals, and by U.S. and foreign universities to evaluate promotion cases for professorship. He has previously authored seven books published by Prentice Hall: Power Electronics–Circuits, Devices, and Applications (1988, 2/e 1993), SPICE For Power Electronics (1993), SPICE for Circuits and Electronics Using Pspice (1990, 2/e 1995), Electromechanical and Electrical Machinery (1986), and Engineering Design for Electrical Engineers (1990). He has authored five IEEE self-study guides: Self-Study Guide on Fundamentals of Power Electronics, Power Electronics Laboratory Using PSpice, Selected Readings on SPICE Simulation of Power Electronics, and Selected Readings on Power Electronics (IEEE Press, 1996) and Microelectronics Laboratory Using Electronics Workbench (IEEE Press, 2000). He also wrote two books: Electronic Circuit Design using Electronics Workbench (January 1998), and Microelectronic Circuits Analysis and Design (April 1999) by PWS Publishing). He is editor of Power Electronics Handbook published by Academic Press, 2001.

Dr. Rashid is a registered Professional Engineer in the Province of Ontario (Canada), a registered Chartered Engineer (UK), a Fellow of the Institution of Electrical Engineers (IEE, UK) and a Fellow of the Institute of Electrical and Electronics Engineers (IEEE, USA). He was elected as an IEEE Fellow with the citation "Leadership in power electronics education and contributions to the analysis and design methodologies of solid-state power converters." He was the recipient of the 1991 Outstanding Engineer Award from The Institute of Electrical and Electronics Engineers (IEEE). He received the 2002 IEEE Educational Activity Award (EAB) Meritorious Achievement Award in Continuing Education with the citation "for contributions to the design and delivery of continuing education in power electronics and computer-aided-simulation". He was also an ABET program evaluator for electrical engineering from 1995 to 2000 and he is currently an engineering evaluator for the Southern Association of Colleges and Schools (SACS, USA). He has been elected as an IEEE-Industry Applications Society (IAS) Distinguished Lecturer. He is the Editor-in-Chief of the Power Electronics and Applications Series, published by CRC Press.

Excerpt. © Reprinted by permission. All rights reserved.

The Engineering Accreditation Commission of the Accreditation Board for Engineering and Technology (EAC/ ABET) requirements specify the integration of computeraided analysis and design in electrical and computer engineering curricula. SPICE is very popular software for analyzing electrical and electronic circuits. The MicroSim Corporation first introduced the PSpice simulator, which can run on personal computers (PCs). It is similar to the University of California (UC) Berkeley SPICE. The student version of PSpice, which is available free to students, is ideal for classroom use and for assignments requiring computer-aided simulation and analysis. PSpice widens the scope for the integration of computer-aided simulation to circuits and electronics courses for undergraduate and graduate students.

It may not be possible to add a one-credit-hour course on SPICE to integrate computer-aided analysis in circuits and electronics courses. However, students need some basic knowledge of how to use SPICE. They are constantly under pressure with course loads and do not always have the free time to read the details of SPICE, PSpice, or OrCAD from manuals and books of a general nature.

This book is the outcome of the author's experience in integrating SPICE in circuits and electronics courses at the 200-, 300-, or 400-level. The objective is to introduce the SPICE simulator to the electrical and computer engineering curriculum at the sophomore or junior level with a minimum amount of time and effort. This book requires no prior knowledge of the SPICE simulator. A course on basic circuits should be a prerequisite or co-requisite. Once the student develops an interest in and an appreciation for the applications of circuit simulators like SPICE, he or she can move on to more advanced materials for the full utilization of SPICE, PSpice, or OrCAD in solving complex circuits and systems.

This book can be divided into six parts:

(1) introduction to SPICE simulation—Chapters 1 and 2;
(2) DC, transient and AC circuit analysis—Chapters 3, 4, and 5;
(3) advanced SPICE commands and analysis—Chapter 6;
(4) semiconductor devices modeling and circuits—Chapters 7, 8, and 9;
(5) op-amp circuits and differential amplifiers—Chapter 10, and
(6) difficulties—Chapter 11.

Chapters 8, 9, and 10 describe the simple equivalent circuits of transistors and opamps, which are commonly used in analyzing electronic circuits. Although SPICE generates the parameters of complex transistor models, analysis with a simple circuit model exposes the students to the mechanism of computation by,SPICE .MODEL commands. This approach has the advantage that the students can compare the results, which are obtained in a classroom environment with the simple circuit models of devices, to those obtained by using complex SPICE models.

The commands, models, and examples that are described for PSpice are also applicable to UC Berkeley SPICE with minor modifications. The changes for running a PSpice circuit file on SPICE and vice-versa are discussed in Chapter 11. The filenames for the circuit files in this book are named using all uppercase so that the same file can be run on either the PSpice or the SPICE simulator.

Probe is a graphics post-processor and is very useful in plotting the results of simulation, especially with the capability of arithmetic operation. It can be used to plot impedance, power, and so on. Once students have experience programming in PSpice, they will really appreciate the advantages of .Probe command. Probe is an option on PSpice, available with the student version. Running Probe does not require a math coprocessor. The students can also get the normal printer output or printer plotting. The prints and plots are very helpful to the students in their theoretical understanding and in making judgments on the merits of a circuit and its characteristics.

This book can be used as a textbook on SPICE with a course on basic circuits being the prerequisite or co-requisite. It can also be used as a supplement to any standard textbook on basic circuits or electronics. In the latter case, the following sequence is recommended for the integration of SPICE at the basic circuits level of the curriculum:

  • As a supplement to a basic circuits course with three hours of lectures (or equivalent lab hours) and self-study assignments from Chapters 1 to 6. Starting from Chapter 2, the students should work hands-on with PCs.
  • In an electronics course it should continue to be used, with two hours of lectures (or equivalent lab hours) and self-study assignments from Chapters 6 to 10.
  • For integrating SPICE at the electronics level, three hours of lectures (or equivalent lab hours) are recommended on Chapters 1 to 6. Chapters 7 to 10 could be left for self-study assignments. From the author's experience in the class, it has been observed that after three lectures of 50 minutes duration, all students could solve assignments independently without any difficulty. The class could progress in a normal manner with one assignment per week on electronic circuits simulation and analysis with SPICE. Although the materials of this book have been tested in a basic circuits course for engineering students and in two electronics courses for electrical and computer engineering students, the book is also recommended for electrical engineering technology students.

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    Four Stars
    By Robert
    Perfect!

    1 of 2 people found the following review helpful.
    Excellent content and readability
    By Tim Ambrose
    Excellent book!
    Despite it's age, this book contains everything need to know (and more) about PSpice for all the electric circuits classes that Computer Engineering students are required to take at Cal Poly.

    1 of 1 people found the following review helpful.
    just textbook
    By Kun Qian
    for my ece class

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    • Sales Rank: #612162 in Books
    • Published on: 2016-02-18
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.00" h x .31" w x 6.00" l, .43 pounds
    • Binding: Paperback
    • 136 pages

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    • Sales Rank: #225489 in Books
    • Published on: 2016-06-25
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    • Original language: English
    • Number of items: 1
    • Dimensions: 11.20" h x 1.00" w x 9.70" l, .0 pounds
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    Senin, 12 September 2011

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    Key to Geometry offers a non-intimidating way to prepare students for formal geometry as they do step-by-step constructions. Using only a pencil, compass, and straightedge, students begin by drawing lines, bisecting angles, and reproducing segments. Later they do sophisticated constructions involving over a dozen steps and are prompted to form their own generalizations. When they finish, students have been introduced to 134 geometric terms and are ready to tackle formal proofs. Book 8 covers Triangles, Parallel Lines, Similar Polygons.Format: PaperbackPublisher: Key Curriculum Press

    • Sales Rank: #1938280 in Books
    • Brand: Brand: Key Curriculum Press
    • Published on: 1972-06
    • Original language: English
    • Number of items: 1
    • Dimensions: 10.75" h x 8.25" w x .50" l, .75 pounds
    • Binding: Paperback
    • 138 pages
    Features
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    • Sales Rank: #1347275 in Books
    • Published on: 2007-04-16
    • Original language: Spanish
    • Number of items: 1
    • Dimensions: 6.70" h x 1.00" w x 9.50" l, 2.34 pounds
    • Binding: Paperback
    • 480 pages

    About the Author
    S. A. Clave, Universitat Rovira I Virgili, Barcelona.

    Most helpful customer reviews

    1 of 1 people found the following review helpful.
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    By JuanJo
    If you're really interested in theme park history, this is The Book. It's a true scientific approach to the theme parks phenomenon. Do not expect nice glittering pictures with awkward sentences inside; it's not a coffee table book, but a truly useful, well documented and referenced text. A certain Must, undoubtedly.

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    By JTSpill
    I used this as a reference for a paper on theme parks. It got the job done

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    Jumat, 09 September 2011

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    Ultimate Harley Davidson, by Hugo Wilson

    Updated for a new generation of bike lovers, this visually stunning and comprehensive history of Harley-Davidson charts the company and its bikes decade by decade.

    From the moment the first model rolled out of a backyard shed in Milwaukee, through Harley's postwar golden age, to the sought-after bikes that distinguish the company today, Ultimate Harley-Davidson presents seventy of the most beautiful and coveted Harleys of all time.

    Whether it's the 1911 V-Twin or the 1999 X1 Lightning, the seventy Harley-Davidson bikes examined are presented in minute detail, with close-ups of the engines and in-depth technical specifications.

    • Sales Rank: #127496 in Books
    • Published on: 2013-07-15
    • Released on: 2013-07-15
    • Original language: English
    • Number of items: 1
    • Dimensions: 11.25" h x .81" w x 9.25" l, 2.70 pounds
    • Binding: Hardcover
    • 216 pages

    Review
    "Full of facts, specs and other info on a century of bikes, it's a gear head's Garden of Eden, and the turn of each page leaves behind fumes of nostalgia, history, horsepower, the freedom of the open road and American-made pride." – Smithville Herald

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    Hugo Wilson writes for and edits several motorcycle publications, which he describes as "probably the best job in the world." He has owned and ridden a vast range of bikes, and his current favorite motorcycle activities include track days, trail riding, and overseas touring. Wilson is the author of several bestselling DK books on motorcycles.

    Most helpful customer reviews

    43 of 44 people found the following review helpful.
    50 Lush Color Photos Are Worth More Than 50,000 Words
    By Donald Mitchell
    Although this book has many elements, its core is the Harley-Davidson as a design. The photographs are mostly of 50 different models, focused on the motorcycle alone, done with remarkable lighting to create exquisite detail and color. You will feel like you are visiting a museum of mint Harleys as you "stroll" from page to page while sitting comfortably in your favorite chair. The book is strengthened by some classic Harley photos that you have seen before, such as from Easy Rider. There is also a good overview of the development of the company, key technologies, and a timeline of when different bikes were introduced. For those who don't know about Harleys, you also have a glossary to help you interpret, and a list of contacts to help you get even more information.
    "People remember their first Harley-Davidson." As Hugo Wilson points out, that's because "Harleys look different, sound different and certainly ride different to other motorcycles." One of the strengths of the book is that it provides many helpful details about the bases of those differences. I could literally "hear" a Harley every time I looked at one of the images. And now I know why they sound that way. You will, too, when you read this exciting book.
    "Their extraordinary appeal makes small boys dream and grown men save." Harley-Davidsons clearly draw on our sense of adventure, our desire for freedom, and our need to be different. Mothers, if you don't want your children to grow up to be bikers, keep this book and all Harleys away! The lure of the open road will be irresistible after enjoying this volume.
    I am not an expert on motorcycles but have spent many happy hours on them. I could feel the thundering power in my legs as I looked at the Harley in Terminator II, the 74FLHB Electra Glide in blue from 1965, the FLHS Electra Glide from 1988, the FLSTF Fat Boy from 1999, and especially the Buell X1 Lightning from 1999.
    To me the best page was 184 where there is a cutaway of the famous V-twin engine, along with a good description of each element. This is the heart of what makes a Harley a Harley, and I was glad to learn more about this wonderful design.
    After you have finished enjoying this book and taken a ride on your Harley to celebrate (don't have one yet? . . . well, start dreaming and saving . . .), I suggest that you think about other ways you can enjoy your spirit of adventure and desire for the open road. Riding a Harley doesn't get you all the exercise you could use. Are there any hiking trails that you could ride your Harley to? In that way, you could have a double adventure. Plus, you can have even more enjoyment with your family and friends while you hike. If you haven't hiked the Grand Canyon yet down to the Colorado River, that would make a great ride/hike combination. Just do it! -- (but do plan ahead, you'll enjoy it more if you do).
    Be different and better!

    9 of 9 people found the following review helpful.
    A quality look at the history of Harley
    By Steve Proctor
    Once you hear that iconic rumbling, you know there is a Harley-Davidson around. Harley-Davidsons are everywhere, and there is a solid following of motorcycle enthusiasts all across the world. The Ultimate Harley-Davidson book breaks down each model decade by decade. It is a wonderful format for Harley-Davidson lovers who enjoy reading the history that goes along with these wonderful machines. The entire book is bright and bold with complete and accurate information and outstanding photographs from past to present.

    From the early days of the company to the days of Easy Ride, the reader gets a deep look into Harley-Davidson culture, specs, and mechanics. "The arrival of high-spec Japanese imports had another consequence. People wondered why, if Japanese 125cc machine could have an electric starter, and American 1200cc machine could not. Harley's response was to fit an electric starter to its FL models from 1965 to create the Electra Glide, possibly the most famous motorcycle model ever built. It even had a film named after it, Electra Glide in Blue (1973)."

    Hugo Wilson, author and motorcycle enthusiast, has written many best-selling books on motorcycles and is the editor of the United Kingdom's top selling motorcycle magazine "Bikes". I think of him as a British Allan Girdler. Girdler is an American author and motorcycle enthusiast who has educated me well on the history of the Harley-Davidson Xr-750 and Harley Davidson Sportster.

    Ultimate Harley-Davidson is a great collectors item or gift! This book is well planned, and the decade by decade breakdown will help Harley lovers explore each era. The index is also bright and vivid for easy searching.

    11 of 12 people found the following review helpful.
    Beautiful!
    By Michael
    This really is a beautiful book. Lots of great pictures and the explanations to back them up. If you want a good introduction to learning the world of Harley, this is a great place to start.

    See all 43 customer reviews...

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    Rabu, 07 September 2011

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    • Sales Rank: #3175100 in eBooks
    • Published on: 2015-02-06
    • Released on: 2015-02-06
    • Format: Kindle eBook

    About the Author
    Sudhir Kakar is an Indian lay psychoanalyst and he is known for his books in the fields of cultural psychology and religion.

    Gunter Blamberger is a German academic and writer. He works at the University of Cologne as a Professor of Modern German Literature

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    0 of 0 people found the following review helpful.
    On Genius and the Workings of the Creative Process
    By Raghu Nathan
    Nowadays, there is much discussion in the public domain on the concept of genius, on Creativity and on Innovation. We see people like Steve Jobs, Elon Musk, Jeff Bezos and many others being labelled as 'creative' or 'genius-like' or 'innovative'. At the same time, we do not see much elaboration on the precise reasons for marking these individuals out for such special mention except by reiterating the products and ideas for which they are responsible and how much their thinking diverges from the mainstream. What we don't find is a substantive discussion on what this 'Creative Process' really is and how it actually works and what its psychological foundations are. It is this quest which brought me to read this book.

    I have always enjoyed reading Sudhir Kakar's insights into cultural psychology, mysticism and psychoanalysis. When I saw that he was one of the authors of this book, I wanted to see what his insight into the subject is. However, it turned out that this book is a collection of six essays on Creativity from six different authors, with Kakar contributing just one, on the Indian perspective of the creative artist. Three articles dwell on the cross-cultural views on Creativity, one each on the Indian, Western and the Chinese. Two others are in the inter-disciplinary perspective from Psychoanalysis and Neuroscience. The final article by James Kaufman looks at Creativity through a generalist approach. Overall, we come across many definitions on what is creative and some approaches to understanding the creative process itself.

    The Western perspective is dealt with by co-author Günter Blamberger who suggests that the West has always set wrong priorities by focusing on the personal origin of Creativity , leading to hopeless aporias and myths. The West has a tradition of seeing Creativity as a triad of divine inspiration, mastery of the rules of the domain and scholarly knowledge. Blamberger proposes that we must bid farewell to this concept of 'Genius' and move away from singular creatorship and towards viewing Creativity as an Experience and as a Process. Today's creative practices are mostly processes based on division of labor within collectives and Creativity itself must be viewed as an inter-disciplinary and cross-cultural question.

    Sudhir Kakar presents the Indian perspective on artistic creativity based on the classical treatise on the Performing Arts, namely 'Natya Shastra', written around 200 BCE, and on the modern works of renowned art historian, Ananda Coomaraswamy (1877-1947). In the Indian view of the creative artist, he is not a flawed being or prone to melancholia or madness. Rather, to be truly creative, it was necessary for individual personality traits and complexes to be transcended. Coomaraswamy formulates it as '..the Indian artist, though a person, is not a personality'. Creative Imagination is an inborn faculty due to impressions of past births that is so strong in the artist that it responds to the slightest stimuli which are usually ignored by others. Kakar wonders as to how many contemporary Indian artists share this view of the artist as emotionally balanced and artistic creativity as a matter of connecting with the transcendent, spiritual unconscious.

    The Chinese perspective of Creativity is outlined by Weihua Niu simply as the very nature of everlasting interaction between the creator and the context, as something evolutionary rather than revolutionary. The focus of Creativity in the Confucian outlook is on novelty and appropriateness, where appropriateness is understood as fitting according to the changing context in a collaborative manner, given a specific situation. On the other hand, the Taoist view of Creativity is to make a connection between oneself and nature, possibly by immersing oneself through meditation.

    In the inter-disciplinary discussion, I liked the essay by Margaret Boden on 'Creativity as Neuroscientific Mystery'. Boden says that there are three types of creativity, namely Combinational, Exploratory and Transformational. They are explained as follows:
    Combinational Creativity is the generation of unfamiliar combinations of familiar ideas. A scientific example would be viewing the Atom through the Solar system model.
    Exploratory Creativity is to use existing rules to generate novel structures. Examples would be to write a new Computer program using a known programming language or writing a new essay in English or creating a new painting in a known style such as Impressionist.
    Transformational Creativity is the most exciting of all in that it breaks culturally sanctioned rules within a domain and leads to the creation of a novel idea which seems 'Impossible'. One can think of many examples in Science and in the Arts like Literature and Music.
    Boden says that these three forms of Creativity involve different types of psychological processes and that Combinational Creativity is within reach of Neuroscience today. As for Exploratory and Transformational, she says that the human brain is a Connectionist system and we need to understand much better than we do today as to how 'connectionism' can emulate a von Neumann machine before coming to a Neuroscientific view of these two types of Creativity.
    Most of us can probably feel good about having experienced some aspect of Exploratory Creativity in our lives and some might have indulged in Combinational as well.

    As I came to the last essay in the book, the creative process still remained largely an enigma. Still, the essays provoke our mind and induces us to explore further.

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